Take one part "The Shining", one part "Fantasy Island" and one part "The Devil's Advocate". Put it all into a blender, and you'll get this new ABC series.
This new series stars veteran actor Terry O'Quinn as the devilish owner of The Drake Apartments in Manhattan's Upper East Side.
Cast Members:
Terry O'Quinn (Lost) : Gavin Doran
Vanessa L. Williams (Desperate Housewives) : Olivia Doran
Dave Annable (Brothers & Sisters) : Henry Martin
Rachael Taylor (Charlie's Angels) : Jane Van Veen
The pilot episode follows the naive new resident managers of The Drake Apartments, the other residents of the building, and the building's married owners Gavin Doran (O'Quinn) and Olivia Doran (Williams)
Some spooky moments, Faustian deals and a bit of mystery are enough to get me to tune in next week. What did you think of the show? Let me know in the comments below.
Until next time,
-Bill-
Showing posts with label Drama. Show all posts
Showing posts with label Drama. Show all posts
Monday, October 1, 2012
Sunday, February 13, 2011
The Vampire Diaries
Greetings-
This marks the debut of my column for The CW's vampire drama The Vampire Diaries. Most people think that this is just a rip off of Stephenie Meyer's Twilight series of books, but the truth of the matter is that The Vampire Diaries series of books were published starting in 1991. The Twilight series came to us in 2005; 14 years later. The Vampire Diaries probably owes its television life to the Twilight movies, however.
In a nutshell, The Vampire Diaries is about a high school girl who falls in love with a vampire. Yes, it all sounds familiar. However, I believe that The Vampire Diaries is much better in terms of the mythology of the vampire. These are vampires that actually use their fangs. These vampires don't sparkle in the sunlight. These vampires don't rely on venom to kill their prey, they simply suck the blood of their victims until they die. In other words, these are the vampires that we have come to know over the years instead of their neutered sparkly cousins from The Twilight Saga.
Main Cast:
Nina Dobrev (Degrassi: The Next Generation) - Elena Gilbert
Paul Wesley (Wolf Lake) - Stefan Salvatore
Ian Somerhalder (LOST) - Damon Salvatore
Steven R. McQueen (Everwood) - Jeremy Gilbert
Katerina Graham (17 Again) - Bonnie Bennett
Candice Accola (Deadgirl) - Caroline Forbes
Zach Roerig (As the World Turns) - Matt Donovan
Michael Trevino (Cane) - Tyler Lockwood
Sara Canning (Slap Shot 3: The Junior League) - Jenna Sommers
Matthew Davis (Legally Blonde) - Alaric Saltzman
The Vampire Diaries airs Thursday nights on The CW at 8 PM Eastern/7 PM Central
I'll be back next week with episode reactions for the 15th episode of the second season.
Until next time,
-Bill-
This marks the debut of my column for The CW's vampire drama The Vampire Diaries. Most people think that this is just a rip off of Stephenie Meyer's Twilight series of books, but the truth of the matter is that The Vampire Diaries series of books were published starting in 1991. The Twilight series came to us in 2005; 14 years later. The Vampire Diaries probably owes its television life to the Twilight movies, however.
In a nutshell, The Vampire Diaries is about a high school girl who falls in love with a vampire. Yes, it all sounds familiar. However, I believe that The Vampire Diaries is much better in terms of the mythology of the vampire. These are vampires that actually use their fangs. These vampires don't sparkle in the sunlight. These vampires don't rely on venom to kill their prey, they simply suck the blood of their victims until they die. In other words, these are the vampires that we have come to know over the years instead of their neutered sparkly cousins from The Twilight Saga.
Main Cast:
Nina Dobrev (Degrassi: The Next Generation) - Elena Gilbert
Paul Wesley (Wolf Lake) - Stefan Salvatore
Ian Somerhalder (LOST) - Damon Salvatore
Steven R. McQueen (Everwood) - Jeremy Gilbert
Katerina Graham (17 Again) - Bonnie Bennett
Candice Accola (Deadgirl) - Caroline Forbes
Zach Roerig (As the World Turns) - Matt Donovan
Michael Trevino (Cane) - Tyler Lockwood
Sara Canning (Slap Shot 3: The Junior League) - Jenna Sommers
Matthew Davis (Legally Blonde) - Alaric Saltzman
The Vampire Diaries airs Thursday nights on The CW at 8 PM Eastern/7 PM Central
I'll be back next week with episode reactions for the 15th episode of the second season.
Until next time,
-Bill-
V S2 Ep5 "Concordia"
Greetings-
Even though a 3rd season of this show hasn't been green lit yet, the producers are planning a major cliff-hanger for the end of the 2nd season. I have a feeling that this is an effort on the part of the powers that be to get the fans to create a preemptive campaign to demand a 3rd season of the show. Fan driven campaigns have worked in the past (Jericho).
Here's what TV Guide has to say about "Concordia":
Before I actually get to the meat of this column, I want to express my growing disappointment with this show. For a show about a resistance movement against an alien invasion, the fifth column really hasn't done much over the course of one and a half seasons. There's really no sense of a global resistance like there was in the original V miniseries from the 80's. Another thing I'm disappointed in is the plot line changes. In the original miniseries, the Visitors were abducting humans to use as food. That's some pretty freaky stuff right there. In this iteration of the show, the visitors want to do the horizontal mambo with humans. That's not so scary. In fact, it's the dream of many a fan of science fiction television ever since Captain James T. Kirk got it on with the green Orion slave girl in Star Trek.
On with the show.
Guest starring tonight is Nicholas Lea (The X-Files) as Tyler's father, Joe Evans.
It's nice to see Erica and Father Jack get on board with the assassination attempt. For someone that is so concerned about her son's safety, she hasn't really shown up to this point that she's willing to do what needs to be done in order to protect humankind from the Visitors. I'm glad to see this change.
The overly elaborate docking stations for the waiting invasion force was pretty cool looking, but how the heck are they going to get built so quickly? Anna told Chad that Concordia was going to be built by human labor. There's no way a bunch of construction workers are going to get these things built as quick as Anna wants them to be built.
Very disappointed in Ryan's choice to believe Anna's line of bull. Ryan should know better, but still chooses to tip off the Visitors about the assassination attempt. At least he didn't (as far as we know) let Marcus and Anna know who exactly was behind the attempt. I guess this is a good out for the writers as we still haven't gotten any resolution of the plot line involving the meetings between Hobbes and Marcus. However, we do know that the Visitors have the technology available to them to bring someone back from the brink of death.
Hobbes is also ticked off at Ryan. Ryan better go back to living on the mother ship. I don't think he's going to be able to talk himself out of this situation. He just confirmed to Hobbes and Eli that the Visitors can't be trusted.
That's it for this week. Things are starting to move faster in the V universe.
Favorite Quote:
Jack Landry "They can take my collar, but they can't take my faith."
Until next time,
-Bill-
Even though a 3rd season of this show hasn't been green lit yet, the producers are planning a major cliff-hanger for the end of the 2nd season. I have a feeling that this is an effort on the part of the powers that be to get the fans to create a preemptive campaign to demand a 3rd season of the show. Fan driven campaigns have worked in the past (Jericho).
Here's what TV Guide has to say about "Concordia":
Anna uses a gift to humanity as a cover to hide a fleet of breeding vessels while Eli tries to sway the Fifth Column to assassinate Anna at a gala.As with the rest of my TV columns this week, I'm not going to be doing a full recap of the episode. I'll be sharing my thoughts with you at the end of the show.
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Orion slave girl Vina played by Susan Oliver |
On with the show.
Guest starring tonight is Nicholas Lea (The X-Files) as Tyler's father, Joe Evans.
It's nice to see Erica and Father Jack get on board with the assassination attempt. For someone that is so concerned about her son's safety, she hasn't really shown up to this point that she's willing to do what needs to be done in order to protect humankind from the Visitors. I'm glad to see this change.
The overly elaborate docking stations for the waiting invasion force was pretty cool looking, but how the heck are they going to get built so quickly? Anna told Chad that Concordia was going to be built by human labor. There's no way a bunch of construction workers are going to get these things built as quick as Anna wants them to be built.
Very disappointed in Ryan's choice to believe Anna's line of bull. Ryan should know better, but still chooses to tip off the Visitors about the assassination attempt. At least he didn't (as far as we know) let Marcus and Anna know who exactly was behind the attempt. I guess this is a good out for the writers as we still haven't gotten any resolution of the plot line involving the meetings between Hobbes and Marcus. However, we do know that the Visitors have the technology available to them to bring someone back from the brink of death.
Hobbes is also ticked off at Ryan. Ryan better go back to living on the mother ship. I don't think he's going to be able to talk himself out of this situation. He just confirmed to Hobbes and Eli that the Visitors can't be trusted.
That's it for this week. Things are starting to move faster in the V universe.
Favorite Quote:
Jack Landry "They can take my collar, but they can't take my faith."
Until next time,
-Bill-
Saturday, February 12, 2011
No Ordinary Family S1 Ep14 "No Ordinary Double Standard"
Greetings-
Yep, another show that I'm still enjoying despite its lackluster ratings.
Like the rest of my television columns this week, I'm going to refrain from writing a play by play recap of the episode and instead give you my thoughts after watching.
Here's what TVGuide has to say about "No Ordinary Double Standard":
The villain in this episode has a pretty cool power. He turns into smoke/mist/fog in order to enter into the homes of his victims. The smoke effect was pretty well done for television special effects.
The double standard of being a parent with both a boy and a girl when it comes to dating seems to be pretty spot on in tonight's episode. I can only hope that when my kids are old enough to be dating that I won't apply a double standard, but the fact of the matter is that I probably will. I think it's written into the DNA code of parents.
Still loving the adorable geekiness of Katie. I like the fact that they didn't go with the typical comic book geek for this show. They could have gone with a pimply kid with hardly any friends, but instead they went with a woman. Very nice to see ABC stepping away from the stereotype.
I usually like when the Powell's work together (like in the episode "No Ordinary Anniversary"), but the little contest to see who could solve the crime first between Stephanie and Jim seems a little bit "meh". Jim is a little bit too arrogant about his abilities in this episode and it puts a little damper on his likability as a character. However, once the Powell's and their respective sidekicks decide that it would be best for them to work together, things get better.
Another problem I had with the episode, and previous episodes, is that the kids seem to exist within the show as a plot device instead of fully fleshed out characters.
The appearance of the menacing Dr. King (Stephen Collins) is always a plus. I don't get tired of seeing him as a villain. When he spills the beans about how dangerous Joshua is to Katie, I just wanted to punch him in the guts. Good reaction to have towards a true villain. When Tom tells Steph and Jim that Dr. King is behind the experiments that made him into a smoke monster, I about cheered.
Daphne learns a new way to use her powers tonight as well. It turns out that not only can she hear people's thoughts and see people's thoughts when she touches them, she can also push thoughts. Daphne has now learned that she can use the Jedi Mind Trick.
The confrontation between Tom and Dr. King was decent, but we don't know if Dr. King was telling the truth about Tom being healed by the injections.
Joshua is really creepy. I was hoping that his true nature (that of a killer) would stay buried, but when he used his powers to cover up his past to Katie, I just wanted to kick him in the teeth. He's getting a little obsessed, and it's sufficient to say that I don't think it will be much longer before he's working for Dr. King again.
The tension builds. Next week we see the return of the shape shifter, Victoria as she tries to destroy the Powell family. I'm looking forward to an "Incredibles" style family team up to put the smack down on Dr. King and his team of super-villains.
Favorite Quote:
George: She lied to me and she violated the sanctity of the lair.
Katie: Lairs don't have sanctity.
George: Well, then you violated the sanctity of the smoothie, which is even...
Jim: Kids, if you don't behave, I'm going to turn this lair right around.
Until next time,
-Bill-
Yep, another show that I'm still enjoying despite its lackluster ratings.
Like the rest of my television columns this week, I'm going to refrain from writing a play by play recap of the episode and instead give you my thoughts after watching.
Here's what TVGuide has to say about "No Ordinary Double Standard":
Jim and Stephanie have a contest to test their crime-fighting skills after a friend of hers is attacked; Daphne is upset by her father's double standard on a dating issue; Katie makes a shocking discovery about Joshua.Guest starring is Ethan Suplee (My Name is Earl) as Tom Seeley.
The villain in this episode has a pretty cool power. He turns into smoke/mist/fog in order to enter into the homes of his victims. The smoke effect was pretty well done for television special effects.
The double standard of being a parent with both a boy and a girl when it comes to dating seems to be pretty spot on in tonight's episode. I can only hope that when my kids are old enough to be dating that I won't apply a double standard, but the fact of the matter is that I probably will. I think it's written into the DNA code of parents.
Still loving the adorable geekiness of Katie. I like the fact that they didn't go with the typical comic book geek for this show. They could have gone with a pimply kid with hardly any friends, but instead they went with a woman. Very nice to see ABC stepping away from the stereotype.
I usually like when the Powell's work together (like in the episode "No Ordinary Anniversary"), but the little contest to see who could solve the crime first between Stephanie and Jim seems a little bit "meh". Jim is a little bit too arrogant about his abilities in this episode and it puts a little damper on his likability as a character. However, once the Powell's and their respective sidekicks decide that it would be best for them to work together, things get better.
Another problem I had with the episode, and previous episodes, is that the kids seem to exist within the show as a plot device instead of fully fleshed out characters.
The appearance of the menacing Dr. King (Stephen Collins) is always a plus. I don't get tired of seeing him as a villain. When he spills the beans about how dangerous Joshua is to Katie, I just wanted to punch him in the guts. Good reaction to have towards a true villain. When Tom tells Steph and Jim that Dr. King is behind the experiments that made him into a smoke monster, I about cheered.
Daphne learns a new way to use her powers tonight as well. It turns out that not only can she hear people's thoughts and see people's thoughts when she touches them, she can also push thoughts. Daphne has now learned that she can use the Jedi Mind Trick.
The confrontation between Tom and Dr. King was decent, but we don't know if Dr. King was telling the truth about Tom being healed by the injections.
Joshua is really creepy. I was hoping that his true nature (that of a killer) would stay buried, but when he used his powers to cover up his past to Katie, I just wanted to kick him in the teeth. He's getting a little obsessed, and it's sufficient to say that I don't think it will be much longer before he's working for Dr. King again.
The tension builds. Next week we see the return of the shape shifter, Victoria as she tries to destroy the Powell family. I'm looking forward to an "Incredibles" style family team up to put the smack down on Dr. King and his team of super-villains.
Favorite Quote:
George: She lied to me and she violated the sanctity of the lair.
Katie: Lairs don't have sanctity.
George: Well, then you violated the sanctity of the smoothie, which is even...
Jim: Kids, if you don't behave, I'm going to turn this lair right around.
Until next time,
-Bill-
Being Human S1 Ep4 "Wouldn't It Be Nice (If We Were Human)
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Photo courtesy of Syfy.com |
I'm still really digging this show. Let's hope Syfy keeps it around for a while. Everyone probably knows by now that I'm into vampire television. I'm a fan of "The Vampire Diaries", "Forever Knight", "True Blood" (even though I've only seen the first season), and I even enjoyed the short lived ABC series "The Gates".
There's just something about vampires that speaks to my nocturnal nature. When other kids were pretending to be super-heroes, I was secretly hoping that one day I would become a vampire.
Guest starring is Andreas Apergis (voice actor in Assassin's Creed: Brotherhood) as Ray. Also a very special appearance by a pair of Zubaz pants.
Anyway, enough about my childhood fantasies. Let's get on with the latest episode. Here's what TV Guide has to say about "Wouldn't It Be Nice (If We Were Human)":
Josh befriends a werewolf who doesn't like vampires; Rebecca seeks out Aidan's help to evade the vampire clan; Sally learns a new trick.Like the rest of my TV columns this week, I'm stepping away from doing a blow by blow recap and just giving you my initial thoughts and reactions after watching the show.
First half hour:
Ray: A bit creepy at first, but tolerable. However, by the midpoint of the episode we find out that Ray is a full out bigot when it comes to vampires. Detestable character by this point of the show.
Aiden: He's definitely not as strong as he thinks when it comes to the lust for blood. He tries to teach Rebecca how to stay away from drinking the blood of humans, but at this point it's almost like watching an alcoholic trying to teach another alcoholic how to stay away from whiskey by having them drink light beer instead. The blood lust scenes are very sexy in a dark way.
Sally: She learned how to travel outside of their house by using her mind in last week's episode, which was pretty darn cool. I felt even more excited for her when she actually made something happen on the physical plane tonight. She learned how to cock-block from beyond the grave.
Josh: What can I say? I think it's great that he's beginning to shed some of the awkwardness and starting to gain some self-confidence. Just goes to show that we can learn something even from the most deplorable of sources.
Second half:
Okay, so maybe this dose of self-confidence wasn't such a good thing for Josh. I gave a good old fashioned face-palm during his attempt to hit on the hot blonde nurse in the hospital cafeteria. When he chews Aiden's ass for asking him about his attempt at dating suicide, I almost wanted to hit him in the eye.
I may be getting more emotional as I get older, but I was really touched when Sally decides to let go of the past and communicates to Bridget that it's okay for her and Danny to be together.
Rebecca learns how hard it is to control herself. It's not easy trying to control your desires.
I really want Ray to come to a bad end. Bringing Josh to the vampire den was not a good idea. Ray puts Josh in a position where he has to let his inner wolf out in order to defend himself. I like Josh better when he's awkward. However, this, along with Rebecca's struggles show how hard it can be to repress our baser instincts.
A little bit relieved to see that Rebecca is gone for now. Aiden is barely strong enough to keep his own urges in check. He doesn't have the strength that he wants to have. Danny needs to just grow a pair. Sure it may seem silly to try to talk to someone that you can't see, but he really needs to try. He's got something to get off his chest. Not sure what he wants to say, but if it's important, he needs to just say it no matter if he believes that Sally can hear it or not. It was nice to see Marcus get the snot beat out of him, but not at the expense of Josh's likability. While some of the things that Ray said to him at the end of the episode may hit a little close to the truth, we don't need Josh to go down that road. He needs to strike a balance between his inner-wolf and his humanity.
Seems that toxic relationships aren't only limited to humans.
Next week, Bishop is back.
Favorite Quote:
Josh: I think the wolf eats its own poo.
Until next time,
-Bill-
Labels:
Being Human,
Drama,
Ghost,
Syfy,
Television,
Vampire,
Werewolf
Tuesday, February 8, 2011
Supernatural: S6 Ep12-Like A Virgin
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Image Courtesy of CWTV.com |
Supernatural stars Jared Padalecki and Jensen Ackles as brothers Sam and Dean Winchester who travel around the country hunting Supernatural phenomenon.
Here's what TV Guide has to say about tonight's installment:
Virgins mysteriously disappear, and Dean and Bobby learn that dragons are responsible for the kidnappings. Dean seeks out a weapon to slay the beasts, but he must prove himself worthy before he can claim it. Meanwhile, Death tries to restore Sam's soul.
Okay, I'm going to go away from my normal routine of doing a play by play recap of the entire episode. Why? Because it's nearly 2:15AM, and I really need to start getting a little more sleep at night.
At the end of the mid season finale, Death was putting Sam's soul back into his body. In this episode, the deal has been sealed and Castiel gives the verdict that Sam's soul is indeed reincorporated. The only problem is that the wall that Death has erected inside of Sam has left him without any memory of what has transpired through the first half of the season.
During the episode, Sam finds out from Castiel what happened over the past months and now wants to make up for the things he did while soul-less. Dean still wants to protect Sam from the truth, but Sam is determined to put things right.
Tonight, we also find out who the next big bad is going to be. Seems that Crowley wasn't the only one interested in purgatory. The dragons (who take the shape of humans) are kidnapping virgins. We find out that they are wanting to perform a ritual to open a door to purgatory and release the "Mother of All". They need a vessel for "MoA" to inhabit and that explains the need for the virgins.
At the end of the episode, the dragons succeed at opening the door and letting "MoA" into our world.
Great return for the series. I liked Robo-Sam quite a bit, but it's good to have Sammy back to himself now.
Next week it looks as if Sammy runs into a bit of legal trouble and ends up behind bars.
Until next time,
-Bill-
Thursday, January 27, 2011
The Cape: S1 Ep3-Scales on a Train (Recap Part 2)
Okay, I'm finally back with part 2 of my episode recap and reaction for "Scales on a Train". I know, I know, it took me a while, but sometimes a man has catch up on some rest.
When we left off, Scales had just tried to talk business with the mayor of Palm City with less than the desired results.
The Cape runs into Rollo and tells him to call off the robbery so that his plan of outing Fleming as Chess through Scales can go off without a hitch. Rollo refuses and Ruvi sets off some kind of flash blinding The Cape. Portman finds The Cape and goes off to find some water for The Cape's eyes.
Flashback to a camping trip. Vince and Trip share some father/son bonding time. Vince tells Trip that he'll always be there to help him get to where he needs to go.
Back at the Faraday's apartment, Travis is still stuck outside in the hall. Trip asks Travis through the door what happens when someone seems guilty. Travis tells Trip that there's always the presumption of innocence in the law. Trip opens the door and asks if that means that legally his dad is innocent. Travis tells Trip yes and starts to get up to go inside the apartment. Trip shuts the door and locks it again (haha) and slips a fruit roll-up through the peephole to Travis.
Back on the train, The Cape regains his sight, and goes off in search of Max. Meanwhile, Fleming enters one of the train cars surrounded by photographers and the press. He notices Orwell (but doesn't know who she is) and asks her if she's alright. She says a quick yes and retreats to the rear of the group. Fleming brags to the press about how much ARK is doing for Palm City. He mentions the drop in the crime rate, city beautification efforts, etc. Orwell, from the back of the pack mentions that the illegal sweeps of Palm City is the reason for the drop in the crime. and accuses him of Fascism. Fleming dismisses her as someone just parroting talking points from the "Orwell is Watching" blog and tells the press that the blog is full of misinformation. Orwell beats a hasty retreat, followed closely by Fleming. Portman returns with the water and notices that The Cape is gone.
Orwell is still making her way through the train being followed by Fleming. Fleming comes upon Scales giving a tongue lashing to the mayor and the judge. Meanwhile, Portman is on the hunt for The Cape and finds him in between train cars. The Cape wants to see how the confrontation between Scales and Fleming plays out. The mayor asks Fleming why he brought his "friend" onto the train. Fleming assures the mayor that Scales is not his friend (which gets Scales even more annoyed) and tells him that if Scales is bothering him, he'll have him thrown off the train at the next stop. This is just too much for Scales and he makes the announcement in front of everyone that Fleming is Chess. Everyone in the train car laughs it off like some big joke. This annoys the crap out of Scales and now he's angry. The Cape watches from between train cars and is disappointed that his plan to clear his name didn't work. Fleming tells one of the members of his security team to take care of Mr. Raoul and begins to leave in pursuit of Orwell. He doesn't get far before Scales punches the guard, disarms him, grabs his gun and takes everyone in the train car hostage. He tells them if they want villains, they've got one. The Cape continues to watch from outside the train car. Scales then demands everyone's valuables and starts with the judge.
The Cape tells Portman to take cover, but Portman still wants to help. The Cape radios to Orwell to tell her to get to the front of the train and secure the engine. He then gives Portman a gun and explains that the safety is off and to not fire unless he absolutely has to. Back inside, Fleming asks Scales if he thinks it's a good idea to rob the train as there's going to be no where to hide from ARK and Fleming. Scales says he won't need to hide. Portman bursts into the train car, gun drawn. Scales and his lackeys turn their guns on Portman. Portman explains who he is and that he's "off the reservation" He tells Scales and the lackeys to drop their guns before he "blows (their) gizzards off". Scales is dumbfounded and prepares to shoot Portman, but before he can, The Cape busts some fuses and the lights go off in the train car. Scales pushes Fleming through the door and leaves the car. From above The Cape uses his cape to disarm Scales. Guess what? Scales gets annoyed again and decides to take off after The Cape across the rooftop of the train car leaving Fleming below with one of the lackeys. Scales says something menacing to The Cape, but he just grins as he winds up to grab him with his cape. The cape gets caught in the wind, though, and flies off somewhere. Scales and The Cape fight. The Cape gets thrown near the gap between train cars and looks down as Max unmasks himself and looks up. The Cape shouts for help, but Max goes into the next car. Scales then kicks The Cape off the side of the train and makes his way back down. It's now a stand off between Scales and Fleming...they both have their guns drawn and Fleming gives Scales the chance to give up and go back to the docks where he belongs. Scales basically tells Fleming to shove it and instructs his lackey to disconnect the cars.
Seems that The Cape wasn't thrown from the train (big surprise, right?). He makes his way back onto the train and meets up with Orwell who tells him that the braking system failed when the caboose was disconnected from the rest of the train. The Cape asks the engineer if there's any way that the train can be stopped. Engineer tells him that the only way to stop the train is to cut the main brake line underneath the train. He sends Orwell and the Engineer to the engine room and takes off to stop the train.
Inside the party car, Fleming is giving orders to his men and The Cape comes through the door. All guns swivel toward The Cape. Just then, Portman comes through the door to stand at The Cape's side with his gun drawn. The Cape tells everyone to take it easy so that they can stop the runaway train. People start to show a bit of panic at this news and Fleming and his men lower their guns.
At the now stopped caboose, Scales and his lackey open the door and catch Ruvi in the act of stealing the goods. Scales tells Ruvi to get his hands off his cash, but then from behind the open door, Max steps out and knocks out the lackey, points his shotgun at Scales, calls him ugly and orders him to turn around. Max talks a bit about their last meeting and then Rollo steps out and asks Scales how his knee is doing. Say it with me, folks, Scales gets annoyed. Max orders Scales into the security cage. We get a brief flashback of a cage with a wooden sign saying SCALES on it and a voice saying that his place is in that cage. We flash on a little person offering the young Scales a piece of cake and then taking it away just before he can reach it (no wonder Scales doesn't like Rollo very much). Rollo locks Scales in the cage. Max and the gang high tail it out of the caboose and into the night. Back inside, Scales is banging his head against the bars of the cage.
Back on the runaway train, The Cape has recruited Fleming to help him stop the train. The Cape uses his cape (I guess the cape is like some kind of boomerang or something) to lower Fleming down to cut the brake line. As Fleming is being lowered, he looks into The Cape's eyes and starts to realize who is behind the mask.
Fleming asks to be lowered further to get better access to the brake line, but before he will cut the line, he asks The Cape who he is. The Cape just tells Fleming to cut the hose before he drops him. Fleming finally jabs a pocket knife into the hose and the train's brakes reengage. The Cape pulls Fleming back up and then slams him up against the wall. The Cape tells Fleming that he will end him and that Fleming isn't as smart as he thinks he is. The Cape then goes back inside leaving Fleming outside.
Back at the caboose, a now bloody Scales is still banging his head against the bars of the cage. He stops, pushes on the cage door, and the door falls off. Scales walks out of his cage. Before he leaves, he looks down and sees the stooge from the beginning of the episode and grabs him.
Back at the Faraday's apartment, Trip is sitting on the couch reading the latest "The Cape" comic book issue and Dana comes through the door with his present and cake. She tells him happy birthday, apologizes and embraces him. Travis walks in soon after. Trip asks "Trevor" if he'd like any of his melted cake. Travis says he'd love some. Dana goes to Travis and asks him to join them.
At Trolley Park Amusements, Max is counting up the loot from the train robbery and Vince enters the trailer. Vince is wondering why Max is helping Vince and questions if doing good actually matters to Max. Max replies that sometimes it does matter. Vince grabs Max's wrist and explains that some time in the future their two very different ideologies are going to put them at opposite ends of a loaded gun and that friendship has its limits. Max just smiles and says something about enjoying the times they will have before that day comes.
Back at the Cape-Cave, Vince and Orwell are sitting back and about to have beers. Orwell apologizes for being off her game. She laughingly blames it on the outfit and Vince agrees. Orwell gives him an annoyed look. He explains to her that he's upset because he got Scales on video outing Fleming as Chess and no one believed it. She tells him about the good things that came out of this night (Scales and Fleming at war, saving hundred of innocent lives, etc.). He looks down at the table and we see that he's wrapping up a birthday present for Trip. Orwell asks why parents love their kids like that (and we're given another hint that she's really Fleming's missing daughter). Vince just tells her it's because they just do.
Back at the Faraday's apartment, Trip is sleeping but is awoken by a noise out on the fire escape. He wakes up and goes over to the window where there is a present and card on the window sill. Trip opens the present and finds a new compass. Tears open the card and reads "No journey too far. Your friend, The Cape" (almost enough to bring a little bit of a misty feeling to my eyes).
Next week's episode guest stars Mena Suvari (American Beauty) as Dice. Dice is a woman that knows the secret double life of Fleming.
Until next time,
-Bill-
When we left off, Scales had just tried to talk business with the mayor of Palm City with less than the desired results.
The Cape runs into Rollo and tells him to call off the robbery so that his plan of outing Fleming as Chess through Scales can go off without a hitch. Rollo refuses and Ruvi sets off some kind of flash blinding The Cape. Portman finds The Cape and goes off to find some water for The Cape's eyes.
Flashback to a camping trip. Vince and Trip share some father/son bonding time. Vince tells Trip that he'll always be there to help him get to where he needs to go.
Back at the Faraday's apartment, Travis is still stuck outside in the hall. Trip asks Travis through the door what happens when someone seems guilty. Travis tells Trip that there's always the presumption of innocence in the law. Trip opens the door and asks if that means that legally his dad is innocent. Travis tells Trip yes and starts to get up to go inside the apartment. Trip shuts the door and locks it again (haha) and slips a fruit roll-up through the peephole to Travis.
Back on the train, The Cape regains his sight, and goes off in search of Max. Meanwhile, Fleming enters one of the train cars surrounded by photographers and the press. He notices Orwell (but doesn't know who she is) and asks her if she's alright. She says a quick yes and retreats to the rear of the group. Fleming brags to the press about how much ARK is doing for Palm City. He mentions the drop in the crime rate, city beautification efforts, etc. Orwell, from the back of the pack mentions that the illegal sweeps of Palm City is the reason for the drop in the crime. and accuses him of Fascism. Fleming dismisses her as someone just parroting talking points from the "Orwell is Watching" blog and tells the press that the blog is full of misinformation. Orwell beats a hasty retreat, followed closely by Fleming. Portman returns with the water and notices that The Cape is gone.
Orwell is still making her way through the train being followed by Fleming. Fleming comes upon Scales giving a tongue lashing to the mayor and the judge. Meanwhile, Portman is on the hunt for The Cape and finds him in between train cars. The Cape wants to see how the confrontation between Scales and Fleming plays out. The mayor asks Fleming why he brought his "friend" onto the train. Fleming assures the mayor that Scales is not his friend (which gets Scales even more annoyed) and tells him that if Scales is bothering him, he'll have him thrown off the train at the next stop. This is just too much for Scales and he makes the announcement in front of everyone that Fleming is Chess. Everyone in the train car laughs it off like some big joke. This annoys the crap out of Scales and now he's angry. The Cape watches from between train cars and is disappointed that his plan to clear his name didn't work. Fleming tells one of the members of his security team to take care of Mr. Raoul and begins to leave in pursuit of Orwell. He doesn't get far before Scales punches the guard, disarms him, grabs his gun and takes everyone in the train car hostage. He tells them if they want villains, they've got one. The Cape continues to watch from outside the train car. Scales then demands everyone's valuables and starts with the judge.
The Cape tells Portman to take cover, but Portman still wants to help. The Cape radios to Orwell to tell her to get to the front of the train and secure the engine. He then gives Portman a gun and explains that the safety is off and to not fire unless he absolutely has to. Back inside, Fleming asks Scales if he thinks it's a good idea to rob the train as there's going to be no where to hide from ARK and Fleming. Scales says he won't need to hide. Portman bursts into the train car, gun drawn. Scales and his lackeys turn their guns on Portman. Portman explains who he is and that he's "off the reservation" He tells Scales and the lackeys to drop their guns before he "blows (their) gizzards off". Scales is dumbfounded and prepares to shoot Portman, but before he can, The Cape busts some fuses and the lights go off in the train car. Scales pushes Fleming through the door and leaves the car. From above The Cape uses his cape to disarm Scales. Guess what? Scales gets annoyed again and decides to take off after The Cape across the rooftop of the train car leaving Fleming below with one of the lackeys. Scales says something menacing to The Cape, but he just grins as he winds up to grab him with his cape. The cape gets caught in the wind, though, and flies off somewhere. Scales and The Cape fight. The Cape gets thrown near the gap between train cars and looks down as Max unmasks himself and looks up. The Cape shouts for help, but Max goes into the next car. Scales then kicks The Cape off the side of the train and makes his way back down. It's now a stand off between Scales and Fleming...they both have their guns drawn and Fleming gives Scales the chance to give up and go back to the docks where he belongs. Scales basically tells Fleming to shove it and instructs his lackey to disconnect the cars.
Seems that The Cape wasn't thrown from the train (big surprise, right?). He makes his way back onto the train and meets up with Orwell who tells him that the braking system failed when the caboose was disconnected from the rest of the train. The Cape asks the engineer if there's any way that the train can be stopped. Engineer tells him that the only way to stop the train is to cut the main brake line underneath the train. He sends Orwell and the Engineer to the engine room and takes off to stop the train.
Inside the party car, Fleming is giving orders to his men and The Cape comes through the door. All guns swivel toward The Cape. Just then, Portman comes through the door to stand at The Cape's side with his gun drawn. The Cape tells everyone to take it easy so that they can stop the runaway train. People start to show a bit of panic at this news and Fleming and his men lower their guns.
At the now stopped caboose, Scales and his lackey open the door and catch Ruvi in the act of stealing the goods. Scales tells Ruvi to get his hands off his cash, but then from behind the open door, Max steps out and knocks out the lackey, points his shotgun at Scales, calls him ugly and orders him to turn around. Max talks a bit about their last meeting and then Rollo steps out and asks Scales how his knee is doing. Say it with me, folks, Scales gets annoyed. Max orders Scales into the security cage. We get a brief flashback of a cage with a wooden sign saying SCALES on it and a voice saying that his place is in that cage. We flash on a little person offering the young Scales a piece of cake and then taking it away just before he can reach it (no wonder Scales doesn't like Rollo very much). Rollo locks Scales in the cage. Max and the gang high tail it out of the caboose and into the night. Back inside, Scales is banging his head against the bars of the cage.
Back on the runaway train, The Cape has recruited Fleming to help him stop the train. The Cape uses his cape (I guess the cape is like some kind of boomerang or something) to lower Fleming down to cut the brake line. As Fleming is being lowered, he looks into The Cape's eyes and starts to realize who is behind the mask.
Fleming asks to be lowered further to get better access to the brake line, but before he will cut the line, he asks The Cape who he is. The Cape just tells Fleming to cut the hose before he drops him. Fleming finally jabs a pocket knife into the hose and the train's brakes reengage. The Cape pulls Fleming back up and then slams him up against the wall. The Cape tells Fleming that he will end him and that Fleming isn't as smart as he thinks he is. The Cape then goes back inside leaving Fleming outside.
Back at the caboose, a now bloody Scales is still banging his head against the bars of the cage. He stops, pushes on the cage door, and the door falls off. Scales walks out of his cage. Before he leaves, he looks down and sees the stooge from the beginning of the episode and grabs him.
Back at the Faraday's apartment, Trip is sitting on the couch reading the latest "The Cape" comic book issue and Dana comes through the door with his present and cake. She tells him happy birthday, apologizes and embraces him. Travis walks in soon after. Trip asks "Trevor" if he'd like any of his melted cake. Travis says he'd love some. Dana goes to Travis and asks him to join them.
At Trolley Park Amusements, Max is counting up the loot from the train robbery and Vince enters the trailer. Vince is wondering why Max is helping Vince and questions if doing good actually matters to Max. Max replies that sometimes it does matter. Vince grabs Max's wrist and explains that some time in the future their two very different ideologies are going to put them at opposite ends of a loaded gun and that friendship has its limits. Max just smiles and says something about enjoying the times they will have before that day comes.
Back at the Cape-Cave, Vince and Orwell are sitting back and about to have beers. Orwell apologizes for being off her game. She laughingly blames it on the outfit and Vince agrees. Orwell gives him an annoyed look. He explains to her that he's upset because he got Scales on video outing Fleming as Chess and no one believed it. She tells him about the good things that came out of this night (Scales and Fleming at war, saving hundred of innocent lives, etc.). He looks down at the table and we see that he's wrapping up a birthday present for Trip. Orwell asks why parents love their kids like that (and we're given another hint that she's really Fleming's missing daughter). Vince just tells her it's because they just do.
Back at the Faraday's apartment, Trip is sleeping but is awoken by a noise out on the fire escape. He wakes up and goes over to the window where there is a present and card on the window sill. Trip opens the present and finds a new compass. Tears open the card and reads "No journey too far. Your friend, The Cape" (almost enough to bring a little bit of a misty feeling to my eyes).
Next week's episode guest stars Mena Suvari (American Beauty) as Dice. Dice is a woman that knows the secret double life of Fleming.
Until next time,
-Bill-
Tuesday, January 25, 2011
The Cape: S1 Ep3-Scales on a Train (Recap Part 1)
So, we're now 3 episodes in (4 if you count the two hour premiere as 2 episodes) and I'm still enjoying the show.
Tonight marks the return of Vinnie Jones (X-Men: The Last Stand) as the intimidating Dominic "Scales" Raoul.
Here's what TV Guide has to say about "Scales on a Train":
We open at the docks where Scales is waiting for Peter Fleming. The limo pulls up, but it's not Fleming that gets out of the car, it's one of Fleming's stooges. Scales isn't pleased. The stooge tells Scales that ARK is going to be taking over security at the docks. Scales is definitely not pleased. Scales threatens the stooge while two of his lackey's watch. Cut to The Cape getting a USB drive from one of Scales' lackeys.
At the Cape-Cave, Vince is listening to the audio from Scales' meeting with Fleming's stooge. Orwell is fitting a camera into a masquerade mask in preparation for surveillance at Fleming's Masquerade ball on a train. Vince is in a bad mood because today is his son's 10th birthday and he can't be there. Orwell tells Vince to stop being such a baby and suit up.
At Trolley Park Amusements, Vince interrupts Max, Rollo and Ruvi discussing their latest caper. Vince asks for backup, but Max tells Vince that they are busy tonight. Once Vince leaves, Max and crew begin preparations.
Back at the docks, The Cape grabs one of Scales' lackeys and tells him to call Dominic. Dominic arrives and is annoyed that The Cape has interrupted lasagna night. The Cape then tells Scales that Peter Fleming and Chess are one and the same, and that Scales is essentially going to be paying the same man twice. Once for sharing the revenue of his ill-gotten gains at the docks and again for the security force from ARK. The Cape then tells Scales about the big masquerade gala on the train and about all the money and back alley deals that will most likely be going down. Seems that Scales wasn't invited to the party, so he decides to get a little payback.
At the train station, Fleming (dressed in a ridiculous Marshall's outfit) and Marty are at the photo op for the big party. Marty tells Fleming that he'll see him at the other end. Vince watches from the shadows and notices a father and child triggering a flashback of Trip's last birthday where he was the special guest at school for a little Q & A session with the kids. We find out that Trip is also day dreaming of that day. He opens his school book and notices that some punk kid has scrawled a nasty message "RETURN TO MURDERURS(sic) KID".
Stuck in traffic, Dana is fiddling with Trip's birthday present. She makes a call to her colleague, Travis to let him know that she's stuck in traffic and that she's going to call Trip to let him know that Travis is coming to the house so he doesn't freak out about a stranger at the door. Her phone battery dies before she can make the call. Travis arrives at the apartment and explains who he is and why he's there, but Trip won't open the door (Good move kid, I wouldn't let that weasel Travis in either).
Back at the train station, Vince watches from his perch as Scales arrives and says hello to Fleming in front of all the cameras. Fleming is noticeably nervous and becomes even more so when Scales tells Fleming that he knows his dirty little secret. Vince asks Orwell, who is in the crowd, if she's getting all of the action on camera. Scales and Fleming share some more words and then board the train. Vince then notices Rollo disguised as a train conductor on the train and figures out what the "Carnival of Crime" was planning earlier.
Later that evening at the party on the train, Orwell is meandering through the crowd. Fleming looks right at her without seeing her (thank goodness this is a masquerade party) and makes his way through the crowd being followed closely by Scales. The Cape arrives on the train in mid journey (from where, we have no idea he just kind of jumps out of the sky onto the train). He makes his way into the party and finds Orwell. He tells her what he knows about the plans of the Carnival of Crime. Vince decides that the Fleming issue can wait and goes off in search of Max and the rest of the Carnival to try and stop them. On his way through the train Vince runs into Portman (the Secretary of Prisons) dressed as The Cape. They share a few words and when Portman asks what The Cape is doing on the train, The Cape opens up a side door and notices an ARK guard knocked out on the floor. The Cape tells Portman that he's working.
The Cape makes his way through the train to try and find Max, but Portman stops him and tells The Cape that he wants to help. The Cape tells him to keep his eye out for Rollo as the Carnival is about to rob the train. Portman wants to call the police, but The Cape tells him that it's "just you and me" and then takes to the roof of the train.
Back inside, Fleming runs into the mayor and a judge. Scales, still tagging along, gives the judge a compliment and then the judge tells Scales that he has the most hideous costume she's ever seen. Scales is annoyed (again). Fleming makes the introduction that Scales wanted and leaves. Scales and the mayor begin to talk business but the mayor isn't having it. I guess the mayor isn't as corrupt as Scales had hoped. Scales is annoyed as the mayor leaves.
I'll be back with part 2 of my recap later today once I've enjoyed a little bit of sleep. It's been a long day and I'm very tired. Also later today, look for my recap and reactions to Being Human: There Goes the Neighborhood Pt 2.
Until next time,
-Bill-
Tonight marks the return of Vinnie Jones (X-Men: The Last Stand) as the intimidating Dominic "Scales" Raoul.
Here's what TV Guide has to say about "Scales on a Train":
A tip about stolen money from the Cape prompts Scales to confront his business partner Peter Fleming at a costume party on a train. Meanwhile, the Cape and Orwell learn Max's gang is planning a heist aboard the train, and Dana and Trip are taunted."You interrupted Lasagna night, and I like Lasagna"
We open at the docks where Scales is waiting for Peter Fleming. The limo pulls up, but it's not Fleming that gets out of the car, it's one of Fleming's stooges. Scales isn't pleased. The stooge tells Scales that ARK is going to be taking over security at the docks. Scales is definitely not pleased. Scales threatens the stooge while two of his lackey's watch. Cut to The Cape getting a USB drive from one of Scales' lackeys.
At the Cape-Cave, Vince is listening to the audio from Scales' meeting with Fleming's stooge. Orwell is fitting a camera into a masquerade mask in preparation for surveillance at Fleming's Masquerade ball on a train. Vince is in a bad mood because today is his son's 10th birthday and he can't be there. Orwell tells Vince to stop being such a baby and suit up.
At Trolley Park Amusements, Vince interrupts Max, Rollo and Ruvi discussing their latest caper. Vince asks for backup, but Max tells Vince that they are busy tonight. Once Vince leaves, Max and crew begin preparations.
Back at the docks, The Cape grabs one of Scales' lackeys and tells him to call Dominic. Dominic arrives and is annoyed that The Cape has interrupted lasagna night. The Cape then tells Scales that Peter Fleming and Chess are one and the same, and that Scales is essentially going to be paying the same man twice. Once for sharing the revenue of his ill-gotten gains at the docks and again for the security force from ARK. The Cape then tells Scales about the big masquerade gala on the train and about all the money and back alley deals that will most likely be going down. Seems that Scales wasn't invited to the party, so he decides to get a little payback.
At the train station, Fleming (dressed in a ridiculous Marshall's outfit) and Marty are at the photo op for the big party. Marty tells Fleming that he'll see him at the other end. Vince watches from the shadows and notices a father and child triggering a flashback of Trip's last birthday where he was the special guest at school for a little Q & A session with the kids. We find out that Trip is also day dreaming of that day. He opens his school book and notices that some punk kid has scrawled a nasty message "RETURN TO MURDERURS(sic) KID".
Stuck in traffic, Dana is fiddling with Trip's birthday present. She makes a call to her colleague, Travis to let him know that she's stuck in traffic and that she's going to call Trip to let him know that Travis is coming to the house so he doesn't freak out about a stranger at the door. Her phone battery dies before she can make the call. Travis arrives at the apartment and explains who he is and why he's there, but Trip won't open the door (Good move kid, I wouldn't let that weasel Travis in either).
Back at the train station, Vince watches from his perch as Scales arrives and says hello to Fleming in front of all the cameras. Fleming is noticeably nervous and becomes even more so when Scales tells Fleming that he knows his dirty little secret. Vince asks Orwell, who is in the crowd, if she's getting all of the action on camera. Scales and Fleming share some more words and then board the train. Vince then notices Rollo disguised as a train conductor on the train and figures out what the "Carnival of Crime" was planning earlier.
Later that evening at the party on the train, Orwell is meandering through the crowd. Fleming looks right at her without seeing her (thank goodness this is a masquerade party) and makes his way through the crowd being followed closely by Scales. The Cape arrives on the train in mid journey (from where, we have no idea he just kind of jumps out of the sky onto the train). He makes his way into the party and finds Orwell. He tells her what he knows about the plans of the Carnival of Crime. Vince decides that the Fleming issue can wait and goes off in search of Max and the rest of the Carnival to try and stop them. On his way through the train Vince runs into Portman (the Secretary of Prisons) dressed as The Cape. They share a few words and when Portman asks what The Cape is doing on the train, The Cape opens up a side door and notices an ARK guard knocked out on the floor. The Cape tells Portman that he's working.
The Cape makes his way through the train to try and find Max, but Portman stops him and tells The Cape that he wants to help. The Cape tells him to keep his eye out for Rollo as the Carnival is about to rob the train. Portman wants to call the police, but The Cape tells him that it's "just you and me" and then takes to the roof of the train.
Back inside, Fleming runs into the mayor and a judge. Scales, still tagging along, gives the judge a compliment and then the judge tells Scales that he has the most hideous costume she's ever seen. Scales is annoyed (again). Fleming makes the introduction that Scales wanted and leaves. Scales and the mayor begin to talk business but the mayor isn't having it. I guess the mayor isn't as corrupt as Scales had hoped. Scales is annoyed as the mayor leaves.
I'll be back with part 2 of my recap later today once I've enjoyed a little bit of sleep. It's been a long day and I'm very tired. Also later today, look for my recap and reactions to Being Human: There Goes the Neighborhood Pt 2.
Until next time,
-Bill-
Tuesday, January 18, 2011
Being Human S1 Ep 1 There Goes the Neighborhood Pt. 1
Tonight marks the premiere of the Americanized version of the BBC's supernatural drama. Here's what TV Guide has to say about tonight's episode.
So far so good! I'll definitely be tuning in next week.
Decent effects, much better than the CGI work that goes into Syfy's original movies. Josh's transformation at the beginning of the episode wasn't the best werewolf transformation that I've ever seen (That honor still belongs to the transformation in An American Werewolf in London), but it was very nicely done.
Seems we have some mysteries to unravel with this show, which is always a good thing in my opinion. As long as the show runners don't drag the mysteries out too long, it should work out just fine.
We don't yet know how Josh and Aidan met and we don't know how Josh came to be a werewolf. We do know, however, that it happened about 2 years ago and he was so freaked out that he ran away from his family and hasn't had any contact with any of them until his sister ends up at the hospital that both Josh and Aidan work at.
Seems that Bishop is some kind of Vampire boss in some sort of Vampire Mafia. Bishop was responsible for turning Aidan. Sometime in the recent past, Aidan decided to leave "the Family" and try to run away from his true nature.
It's always great to see Mark Pellegrino back on television. He seems to have beefed up a little bit from his time playing Jacob on Lost and Lucifer on Supernatural.
We know that Sally died sometime recently (of course she did, duh...that's why she's a ghost), but we don't yet know how she died and neither does she. All she can remember is going to bed and waking up a ghost.
Sally can't leave the place where she died (although from the promo for upcoming episodes, it seems that she learns how to leave the house), and she's really upset about the whole deal. She'd love to be able to leave and be with her fiancée, but she can't. Very easy to sympathize with her. When she's not brimming over with excitement that someone can finally see her and that she has other people to talk to, you can damn near feel her sadness coming right through the television.
Near the end of the episode, we see Bishop take Aidan to some kind of Vampire groupie whorehouse type place, where the women let the vampires drink from them. Bishop believes that he has Aidan back under his power again, but things aren't always what they seem.
Also near the end of the episode, Josh leaves the hospital, but his sister Emily follows him wanting answers. Josh makes it to his "cage" and both he and his sister end up locked in moments before the transformation.
As I said earlier, I've only seen parts of 1 or 2 episodes of the BBC series, so I look at this show with a fresh pair of eyes. It's nice to watch something without always sub-consciously comparing it with the original.
Until next time,
-Bill-
Main Cast:
Sam Witwer (Smallville, Star Wars:The Force Unleashed I & II) - Aidan (The Vampire)
Meaghan Rath (The Assistants) - Sally (The Ghost)
Sam Huntington (Superman Returns) - Josh (The Werewolf)
Mark Pellegrino (Lost, Supernatural) - Bishop
Alison Louder (The Mummy: Tomb of the Dragon Emperor) - Emily
After a bloody night out, a vampire and a werewolf decide to become roommates to look out for each other, and they find a townhouse that's haunted by the ghost of their landlord's fiancée in the opener of the series following three supernatural beings who try to live like humans.I've only caught parts of 1 or 2 episodes of the Original on BBC America, so I won't be able to make any comparisons between the 2 versions, but I'll be back after the show with my thoughts.
So far so good! I'll definitely be tuning in next week.
Decent effects, much better than the CGI work that goes into Syfy's original movies. Josh's transformation at the beginning of the episode wasn't the best werewolf transformation that I've ever seen (That honor still belongs to the transformation in An American Werewolf in London), but it was very nicely done.
Seems we have some mysteries to unravel with this show, which is always a good thing in my opinion. As long as the show runners don't drag the mysteries out too long, it should work out just fine.
We don't yet know how Josh and Aidan met and we don't know how Josh came to be a werewolf. We do know, however, that it happened about 2 years ago and he was so freaked out that he ran away from his family and hasn't had any contact with any of them until his sister ends up at the hospital that both Josh and Aidan work at.
Seems that Bishop is some kind of Vampire boss in some sort of Vampire Mafia. Bishop was responsible for turning Aidan. Sometime in the recent past, Aidan decided to leave "the Family" and try to run away from his true nature.
It's always great to see Mark Pellegrino back on television. He seems to have beefed up a little bit from his time playing Jacob on Lost and Lucifer on Supernatural.
We know that Sally died sometime recently (of course she did, duh...that's why she's a ghost), but we don't yet know how she died and neither does she. All she can remember is going to bed and waking up a ghost.
Sally can't leave the place where she died (although from the promo for upcoming episodes, it seems that she learns how to leave the house), and she's really upset about the whole deal. She'd love to be able to leave and be with her fiancée, but she can't. Very easy to sympathize with her. When she's not brimming over with excitement that someone can finally see her and that she has other people to talk to, you can damn near feel her sadness coming right through the television.
Near the end of the episode, we see Bishop take Aidan to some kind of Vampire groupie whorehouse type place, where the women let the vampires drink from them. Bishop believes that he has Aidan back under his power again, but things aren't always what they seem.
Also near the end of the episode, Josh leaves the hospital, but his sister Emily follows him wanting answers. Josh makes it to his "cage" and both he and his sister end up locked in moments before the transformation.
As I said earlier, I've only seen parts of 1 or 2 episodes of the BBC series, so I look at this show with a fresh pair of eyes. It's nice to watch something without always sub-consciously comparing it with the original.
Until next time,
-Bill-
Main Cast:
Sam Witwer (Smallville, Star Wars:The Force Unleashed I & II) - Aidan (The Vampire)
Meaghan Rath (The Assistants) - Sally (The Ghost)
Sam Huntington (Superman Returns) - Josh (The Werewolf)
Mark Pellegrino (Lost, Supernatural) - Bishop
Alison Louder (The Mummy: Tomb of the Dragon Emperor) - Emily
The Cape: S1 Ep2-Kozmo (Spoilers Ahead)
The Cape returns this week in its regular time slot.
Here's what TV Guide has to say about "Kozmo"
Decent episode tonight. We learned that the cape seems to have some kind of power to know what lies deep down in the soul of its wearer. In recent history, Max Malini was the wearer of the cape that has been passed along through generations. Max passed along the cape to his apprentice, Gregor, but Max saw that Gregor had a dark soul, so Max took the cape back and tipped off the authorities about Gregor's crimes. Gregor escapes from prison and hunts down Max to take back his cape.
Meanwhile, Peter Fleming (James Frain) aka Chess and his stooge Marty got close to capturing and eliminating Orwell. We also see Peter trying to find out where his daughter is. Seems she's been on the run from him for some time. It was heavily hinted at in tonight's episode that Orwell may indeed be the daughter of Chess.
Dana Faraday is settling in to her new job at the public defender's office (at least it seems like the public defender's office and not the District Attorney's office as some sources are saying). While going through the large pile of new cases, she comes across a defendant that lives at the Train Yards. When she goes to talk to this defendant, she uncovers evidence that suggests that her husband was framed.
Later on we see ARK is rounding up all the folks at the train yards to hopefully bury any evidence that supports the notion of Vince's innocence.
We see Orwell beginning to come out of her shell a little bit tonight.
Best moments:
Gregor is looking for information on where his cape might be. He joins a card game and gets the information he's looking for, then kills the other players with playing cards to the jugular.
I also like that the show is building up a decent Rogue's Gallery. In the big showdown between Vince and Gregor, Vince has the chance to kill Gregor, but decides to take the high road and have him turned over to the authorities back in Russia which sets up an opportunity for a return.
Next week, we see the return of Vinnie Jones as Scales.
Main Cast:
David Lyons (ER) - Vince Faraday aka The Cape
James Frain (True Blood) - Peter Fleming aka Chess
Summer Glau (Firefly, Terminator: The Sarah Connor Chronicles, Dollhouse) - Orwell
Keith David (Pitch Black) - Max Malini
Jennifer Ferrin (As the World Turns) - Dana Faraday
Ryan Wynott (Flash Forward) - Trip Faraday
Martin Klebba (Scrubs) - Rollo
Here's what TV Guide has to say about "Kozmo"
Vince fights to protect his new friends from an old pal of Max's who comes in search of the cape. Meanwhile, Dana returns to work at the public defender's office, and Peter and Marty try to determine Orwell's real identity.Looks like we're going to get some background on the history of the actual cape that Vince Faraday uses as The Cape. I'll be back with my thoughts after the show.
Decent episode tonight. We learned that the cape seems to have some kind of power to know what lies deep down in the soul of its wearer. In recent history, Max Malini was the wearer of the cape that has been passed along through generations. Max passed along the cape to his apprentice, Gregor, but Max saw that Gregor had a dark soul, so Max took the cape back and tipped off the authorities about Gregor's crimes. Gregor escapes from prison and hunts down Max to take back his cape.
Meanwhile, Peter Fleming (James Frain) aka Chess and his stooge Marty got close to capturing and eliminating Orwell. We also see Peter trying to find out where his daughter is. Seems she's been on the run from him for some time. It was heavily hinted at in tonight's episode that Orwell may indeed be the daughter of Chess.
Dana Faraday is settling in to her new job at the public defender's office (at least it seems like the public defender's office and not the District Attorney's office as some sources are saying). While going through the large pile of new cases, she comes across a defendant that lives at the Train Yards. When she goes to talk to this defendant, she uncovers evidence that suggests that her husband was framed.
Later on we see ARK is rounding up all the folks at the train yards to hopefully bury any evidence that supports the notion of Vince's innocence.
We see Orwell beginning to come out of her shell a little bit tonight.
Best moments:
Gregor is looking for information on where his cape might be. He joins a card game and gets the information he's looking for, then kills the other players with playing cards to the jugular.
I also like that the show is building up a decent Rogue's Gallery. In the big showdown between Vince and Gregor, Vince has the chance to kill Gregor, but decides to take the high road and have him turned over to the authorities back in Russia which sets up an opportunity for a return.
Next week, we see the return of Vinnie Jones as Scales.
Main Cast:
David Lyons (ER) - Vince Faraday aka The Cape
James Frain (True Blood) - Peter Fleming aka Chess
Summer Glau (Firefly, Terminator: The Sarah Connor Chronicles, Dollhouse) - Orwell
Keith David (Pitch Black) - Max Malini
Jennifer Ferrin (As the World Turns) - Dana Faraday
Ryan Wynott (Flash Forward) - Trip Faraday
Martin Klebba (Scrubs) - Rollo
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